1. PREAMBLE OF VALIDITY AND GOOD FAITH
   1.1. This Legal Notice is informational, preventive, and declaratory in nature.
   1.2. Its purpose is to transparently communicate the ownership, scope, and administration of rights, as well as the policies applicable to the content, trademarks, artists, and projects managed by PREZPOWER AMERICAN INC.
   1.3. This document does not replace local or international regulations, nor does it intend to limit or contradict the rights of third parties acting in good faith.
   1.4. On the contrary, it seeks to guarantee clarity, order, and mutual respect in the digital, business, artistic, and media environment.
   1.5. All information contained in this notice is based on current rights and universal principles of intellectual property, protection of performers, and rules applicable to media and digital platforms.

2. NOTICE OF UPDATE
   2.1. This Legal Notice may be updated, expanded, or corrected at any time, without prior notice, in order to:
   a) adapt to regulatory changes;
   b) evolve in line with technological developments;
   c) implement best practices in the artistic and audiovisual sector;
   d) protect the rights of artists and rightsholders represented.
   2.2. The version published on this website shall always constitute the current reference.

3. LEGAL BASIS, REGULATORY FRAMEWORK, AND INTERNATIONAL TREATIES
   3.1. This Legal Notice and the policies stated herein are based on the following national and international legal frameworks applicable to music, intellectual property, performers’ rights, and digital exploitation:
   3.1. Relevant Treaties and International Conventions
   3.1.1. Berne Convention for the Protection of Literary and Artistic Works.
   3.1.2. Rome Convention (1961) for the Protection of Performers, Producers of Phonograms and Broadcasting Organizations.
   3.1.3. WIPO Performances and Phonograms Treaty (WPPT).
   3.1.4. TRIPS Agreement – Trade-Related Aspects of Intellectual Property Rights.
   3.1.5. WIPO Copyright Treaty (WCT).
   3.1.6. International copyright instruments applicable to the digital environment.
   3.2. Regulations Related to the Digital Context and Platforms (United States and Global Digital Environment)
   3.2.1. Digital Millennium Copyright Act (DMCA – U.S.), in particular provisions relating to:
   a) notice and takedown procedures;
   b) false claims and bad faith;
   c) liability for improper claims.
   3.2.2. Identification, monetization, and rights management policies of:
   a) YouTube / Google;
   b) Meta (Facebook and Instagram);
   c) TikTok;
   d) Spotify;
   e) Audio-only and audiovisual streaming platforms.
   3.3. Reference Regulations in Paraguay (where applicable)
   3.3.1. National laws on copyright and related rights applicable to:
   a) APA – Autores Paraguayos Asociados (Authors’ rights in lyrics and music);
   b) AIE Paraguay – Artistas Intérpretes y Ejecutantes del Paraguay (Performers’ and musicians’ rights).
   3.3.2. Legislation concerning:
   a) image and voice rights;
   b) public performance and communication;
   c) preservation of cultural works;
   d) infringements and civil liability.
   3.4. Management and Recognition in Platforms
   3.4.1. Internal rules of Content ID, Copyright Match, and equivalent systems.
   3.4.2. Monetization and content eligibility guidelines.
   3.4.3. Rules regarding audiovisual synchronization and digital exploitation.
   3.4.4. Interpretation of historical, pre-digital contracts in harmony with the principles of artist and rightsholder protection.

4. GENERAL STATEMENT
   4.1. PREZPOWER AMERICAN INC. declares that:
   a) it acts with valid, express, and documented authorization;
   b) it protects and administers the rights of living artists and their repertoires;
   c) it operates at all times within the limits of the law and international principles;
   d) it defends the integrity, reputation, and cultural heritage associated with its brand and represented artists.
   4.2. Any interested party may request clarifications, verification, or additional documentation through the formal channels indicated on this website.

5. LEGITIMACY, AUTHORIZATION, AND COMPLIANCE CLAUSE FOR DIGITAL PLATFORMS
   5.1. This website, its associated domains, and the official accounts linked on digital platforms and social networks operate legitimately, transparently, and in accordance with platform policies, acting as administrator, representative, and authorized manager of the artists and trademarks identified herein.
   5.2. All communication, promotion, advertising, monetization, content identification, and rights management activities are carried out with valid, express, and documented authorization granted by the rightsholders or their legally appointed administrators, including PREZPOWER AMERICAN INC.
   5.3. The institutional, legal, and contact information published on this site has the following purposes:
   a) to enable verification of commercial and operational identity;
   b) to prove ownership and the scope of granted authorizations;
   c) to ensure compliance with advertising, intellectual property, trademark, and copyright rules of platforms such as Meta (Facebook, Instagram), TikTok, Google, YouTube, Spotify, audio-only platforms, video platforms, and other digital services.
   5.4. Any reference to stage names, trademarks, works, images, voices, performances, phonograms, or audiovisual content is made with the corresponding authorization.
   5.5. Unauthorized use by third parties is expressly prohibited.
   5.6. This site constitutes the official point of verification, coordination, and legal contact for digital platforms, advertisers, compliance reviewers, and competent authorities.

6. LEGAL NOTICE – ORIGIN OF MARK, OWNERSHIP, AND INTELLECTUAL PROPERTY (PREZPOWER AMERICAN INC. | PREZPOWER)
   6.1. Purpose of this Legal Notice
   6.1.1. This Legal Notice is published to clearly inform the public, commercial entities, platforms, registries, and third parties about the origin, ownership, scope, and protected use of the name PREZPOWER, as well as the intellectual property and services associated with it.
   6.1.2. This statement serves a preventive, educational, and evidentiary function in accordance with applicable national and international regulations.
   6.2. Origin and Creation of the Name PREZPOWER
   6.2.1. PREZPOWER is an original, invented, and distinctive denomination, conceived and created by Daiana Pérez, founder of PREZPOWER AMERICAN INC.
   6.2.2. The creator drafted, signed, and dated the original conceptual design, defining both the denomination and its meaning:
   a) PREZ: honor, glory, victory, restitution, and just reward;
   b) POWER: strength, capability, creative power.
   6.2.3. The name was created as a fantasy identifier, not derived from common usage, dictionary terms, or industry descriptors.
   6.3. Distinctive Character and Continuous Use
   6.3.1. From its origin, PREZPOWER was conceived and used as a non-descriptive, highly distinctive fantasy mark.
   6.3.2. PREZPOWER has been used continuously, publicly, and in good faith, without interruption, in creative, educational, artistic, cultural, commercial, and digital activities.
   6.3.3. Since 2015, the name has consistently been accompanied by the © symbol in order to indicate original authorship, assert intellectual ownership, and prevent confusion with third-party identifiers.
   6.3.4. This continuous use has generated reputation, recognition, and legitimate ownership rights in accordance with applicable law.
   6.4. Ownership and Administration
   6.4.1. All rights to the PREZPOWER name, as well as to the works, services, and content identified under this denomination, belong to and are administered by:
   PREZPOWER AMERICAN INC.
   A company duly incorporated in the United States, operating in the global digital environment.
   6.4.2. Ownership, license, or authorization shall not be presumed based on visibility, collaboration, distribution, or association, unless there is express written authorization.
   6.5. Scope of Activities and Services
   6.5.1. PREZPOWER identifies a multidisciplinary ecosystem of services, including, among others:
   a) artistic, cultural, and educational programs;
   b) sports and educational clubs;
   c) creation and publication of books and digital publications;
   d) creation of songs, musical works, characters, and artistic content;
   e) audiovisual production and creative direction;
   f) advertising, branding, and storytelling services;
   g) professional representation and support for artists and creators;
   h) digital content creation and community management;
   i) creative consulting and project coordination;
   j) personal shopper services and curated assistance.
   6.5.2. All activities are carried out under a unified creative concept and commercial identity.
   6.6. Intellectual Property Protection
   6.6.1. All elements associated with PREZPOWER—including the name, visual identity, concepts, texts, designs, characters, audiovisual works, educational content, and digital assets—are protected by:
   a) intellectual property laws and regulations governing the commercial use of trademarks, distinctive signs, and intangible assets;
   b) copyright laws;
   c) unfair competition rules;
   d) applicable national and international legal frameworks.
   6.7. Prohibited Uses
   6.7.1. Without prior, express, and written authorization from PREZPOWER AMERICAN INC., it is strictly prohibited to:
   a) use the PREZPOWER name or any confusingly similar designation;
   b) offer services or products that may cause confusion as to origin, affiliation, or sponsorship;
   c) register domains, social media accounts, or digital identifiers that incorporate the name or the trademarks it represents;
   d) reproduce, imitate, adapt, or exploit PREZPOWER concepts or identity;
   e) monetize, sublicense, or commercially benefit from the name or associated works.
   6.7.2. Any such conduct may constitute infringement, unfair competition, or misappropriation of reputation.
   6.8. No Implied License
   6.8.1. No license of any kind is granted by implication.
   6.8.2. Silence, lack of objection, past collaborations, digital exposure, or public visibility do not constitute consent or authorization.
   6.8.3. All rights not expressly granted in writing are strictly reserved.
   6.9. Respect for Platforms and Third Parties
   6.9.1. PREZPOWER AMERICAN INC. respects the policies, procedures, and internal review mechanisms of digital platforms, registries, and service providers.
   6.9.2. This Notice does not seek to impose obligations on third parties, but rather to provide precise and verifiable information regarding the ownership, use, and scope of the PREZPOWER name.
   6.10. Measures and Legal Actions
   6.10.1. Any unauthorized use, misrepresentation, or exploitation of PREZPOWER may give rise to:
   a) requests for correction or removal of content;
   b) enforcement actions within platforms;
   c) administrative or civil measures;
   d) any other actions available under applicable law.
   6.10.2. PREZPOWER AMERICAN INC. reserves all rights to protect its brand, reputation, and intellectual property.
   6.11. Legal Contact
   6.11.1. Any inquiry, request for authorization, or formal communication related to PREZPOWER must be submitted in writing through the official legal channels indicated on this website.
   6.12. Protection of Reputation, Legitimate Communications, and Anti-Abuse Policy
   6.12.1. PREZPOWER AMERICAN INC. carries out its activities in collaboration with premium brands and duly valid licenses, under professional, contractual, and legal standards based on good faith, mutual respect, and lawfulness.
   6.12.2. PREZPOWER AMERICAN INC. respects the rights of third parties and expects the same respect toward its trade name, trademarks, representatives, collaborators, and activities.
   6.12.3. PREZPOWER AMERICAN INC. does not accept, validate, or process communications that are false, misleading, unfounded, lack proper standing, or are made with the intent to confuse, intimidate, harass, discredit, or improperly interfere with the legitimate development of its operations.
   6.12.4. Any false, inaccurate, or malicious statement that affects or attempts to affect the good name, reputation, honor, or professional credibility of PREZPOWER AMERICAN INC., its trademarks, or the persons representing or collaborating with it, may be considered defamatory and fall within the scope of defamation, libel, or slander under applicable law.
   6.12.5. Communications that:
   a) lack verifiable legal basis;
   b) fail to demonstrate sufficient standing;
   c) contain false or distorted statements; or
   d) pursue abusive, intimidating, or harassing purposes,
   will not be answered, acknowledged, or processed.
   6.12.6. Any legitimate communication must be submitted exclusively through the formal channels indicated on this website, accompanied by authentic, sufficient, and verifiable documentation, and in accordance with the principles of legality, good faith, and respect.
   6.12.7. The repeated sending of unfounded or abusive communications, as well as any attempt to improperly interfere with the legitimate activities of PREZPOWER AMERICAN INC., may be ignored, blocked, or referred to the appropriate legal instances, without prior notice.
   6.12.8. This policy is intended to protect professional integrity, reputation, time, and lawful business activity, ensuring a work environment that is sound, fair, serious, respectful, and free from abusive practices.

7. GENERAL STATEMENT OF OWNERSHIP, RIGHTS MANAGEMENT, ARTISTIC REPRESENTATION, AND COMMUNITY POLICY
   7.1. «Prezpower» is a composite, original word created exclusively by our company. It is not generic and does not appear in any dictionary, language, or international database.
   7.2. Any use, reproduction, or imitation—whether in whole or in part—by third parties is strictly prohibited, especially in commercial or digital contexts that may cause confusion with our mark.
   7.3. PREZPOWER AMERICAN INC. reserves the right to take all appropriate legal action in the event of unauthorized use.
   7.4. All images used on our website are used under valid, current licenses obtained through paid and ongoing subscriptions to lawful platforms, thereby ensuring full compliance with international copyright requirements.
   7.5. Any attempt to make unfounded claims, false statements, or malicious accusations of alleged infringement may constitute a violation of U.S. Federal Law, which provides that any person who knowingly makes false claims of online infringement may be subject to criminal prosecution and civil penalties, including monetary damages, court costs, and attorneys’ fees.
   7.6. The use of our mark is strictly prohibited without written authorization for the creation of: social media accounts, fan clubs, the development of other brands, or any commercial or advertising purpose, especially in the fields of sports, art, children’s content, advertising, or online stores.
   7.7. Our mark is duly protected against any unauthorized use.

8. ABOUT ARTISTS REPRESENTED BY PREZPOWER AMERICAN INC.
   8.1. Management of Copyright in Lyrics and Music
   8.1.1. Musical works authored by represented artists are duly registered for radio, television, and live public performance in accordance with applicable copyright laws at national and international level.
   8.2. Management of Performers’ Rights in Analog Formats and Public Communication
   8.2.1. Performers’ rights (analog rights) are duly protected for radio, television, and live public performances.
   8.2.2. This protection applies regardless of the medium, format, support, or territory in which the public communication of the performance takes place.
   8.3. Phonographic Production (Audio-Only)
   8.3.1. Phonographic rights, where applicable, are strictly limited to the reproduction and public communication of the audio-only phonogram in physical and/or analog formats.
   8.3.2. Such rights do not include, under any circumstances, audiovisual synchronization, use on social networks, digital audio monetization, audiovisual digital exploitation, or any other current or future technological use, unless previously, expressly, and in writing authorized by the artist or by PREZPOWER AMERICAN INC. as producer.
   8.4. Collective Management of Phonogram Producers’ Rights (Where Applicable)
   8.4.1. Collective management organizations for phonogram producers may manage only the producer’s rights related to audio-only phonograms, and strictly within the mandate granted by the artist, producer, or authorized administrator.
   8.4.2. Such organizations do not manage authors’ rights, performers’ rights, synchronization rights, audiovisual uses, exploitation on social networks, or digital monetization of audio or audiovisual content, absent prior, express, written authorization from the artist or from PREZPOWER AMERICAN INC. as authorized administrator.
   8.5. Mandatory Declaration of Performers’ Rights (Including Audio-Only Platforms)
   8.5.1. Performers’ rights must always be declared, respected, and duly remunerated, including on digital audio-only platforms and audiovisual platforms.
   8.5.2. While the performer is alive, any digital use, whether audio or audiovisual, requires prior, express, written, and specific authorization from the performer or his/her duly authorized administrator.
   8.5.3. In the event of the performer’s death, any digital use, whether audio or audiovisual, requires prior, express, and written authorization from his/her duly accredited legal heirs and/or from the current producer or administrator designated by the performer, in accordance with applicable law and valid contractual instruments.
   8.5.4. The absence of express consent, the lack of an unequivocal expression of intent, inherited contracts, historical contracts, prior practices, analog mandates, or mere possession of phonograms shall not in any case be deemed a valid transfer of digital or audiovisual rights, either during the performer’s lifetime or after his/her death.
   8.6. Digital Distributors and Aggregators (DSPs)
   8.6.1. Digital distributors, aggregators, and DSPs (Digital Service Providers) must act strictly within the scope of the rights expressly declared and authorized by the rightsholder or by his/her administrator, producer, or duly authorized representative.
   8.6.2. Distributors must:
   a) fully and correctly declare authorship, performance, and production;
   b) respect and declare performers’ rights, including on audio-only platforms;
   c) refrain from asserting, enabling, or maintaining claims beyond the rights expressly granted;
   d) ensure that any monetization, content identification, or rights management is supported by complete, valid, express, written authorization.
   8.6.3. Digital distributors do not acquire any ownership in authors’ rights, performers’ rights, image rights, voice rights, or audiovisual rights solely by providing distribution services.
   8.6.4. In the absence of express, written, and specific authorization from the artist or his/her authorized administrator, distributors shall not:
   a) enable synchronization or audiovisual exploitation;
   b) initiate, maintain, or support Content ID claims or equivalent systems;
   c) monetize digital audio or audiovisual uses beyond the expressly authorized scope.
   8.6.5. Distributors are expected to cooperate with platform review processes, including human review, metadata correction, content release, and revenue adjustments, where applicable.
   8.7. Management of Digital Rights on Platforms, Social Networks, and Future Technologies
   8.7.1. Digital rights in audio, video, holograms, audiovisual elements, synchronization, and exploitation on platforms, social networks, and future audio and audiovisual technologies are managed exclusively by the artist or by his/her authorized administrator, PREZPOWER AMERICAN INC., as set forth in written authorization.
   8.8. Remasters, Modifications, and Derivative Works
   8.8.1. Any remastering of previously published artistic works, and any modification, alteration, or intervention on image, voice, performance, instrumental tracks, mix, sound production, audiovisual production, creation of videos, music videos, lyric videos, karaoke, adaptations, special editions, or any form of derivative work, requires prior, express, handwritten and signed authorization from the artist.
   8.8.2. Failing that, such authorization must be expressly granted in writing by PREZPOWER AMERICAN INC., in its capacity as authorized administrator and representative.
   8.8.3. The absence of express authorization renders any remastering, modification, or derivative exploitation invalid, even where the original work was previously released.

9. FAN CLUBS AND COMMUNITY PAGES
   9.1. All fan clubs, fan pages, and community groups related to represented artists must register, free of charge and formally, with PREZPOWER AMERICAN INC.
   9.2. The purpose of such registration is to ensure proper identification and coordination, protect the artist’s name, image, voice, legacy, intellectual property, and trademarks, and guarantee compliance with current digital platform policies.
   9.3. All registered fan clubs and community pages must strictly comply with the rules, guidelines, and policies related to intellectual property, artists’ rights, and the use of their names, marks, and identities.
   9.4. Any fan activity, page, or group that operates without registration or outside the established policies may be subject to review, restriction, suspension, or corrective measures, in accordance with applicable law and platform policies.
   9.5. By registering, the persons responsible for fan clubs and community pages expressly agree to exercise active, daily moderation on each authorized platform, in order to prevent, detect, and immediately remove any form of defamation, libel, slander, or malicious falsehood directed at the artist, his/her family, works, marks, team members, or any other fan or community member.
   9.6. Failure to fulfill the obligation of daily moderation and compliance with the policies set forth herein may result in revocation of registration, loss of authorization to operate as a fan club or community page, and the adoption of any appropriate legal or corrective measures.
   9.7. PREZPOWER AMERICAN INC. appreciates and reviews all comments. Only those that contribute to the artist’s legacy in a respectful manner are retained.
   9.8. Prohibition on Monetization by Fan Clubs
   9.8.1. Fan clubs, community pages, and groups related to represented artists are not authorized to monetize, directly or indirectly, any content related to the artist, including—without limitation—audio, video, live streams, sponsored posts, memberships, donations, subscriptions, ads, fundraising, sales, affiliate links, or any other revenue-generating mechanism.
   9.8.2. Any monetization requires prior, express, written authorization from the artist or his/her authorized administrator, including PREZPOWER AMERICAN INC.
   9.8.3. The absence of such authorization constitutes an infringement and may result in immediate revocation of the fan club’s registration, loss of any granted authorization, and the adoption of appropriate legal and corrective measures.

10. GENERAL STATEMENT OF RIGHTS
    10.1. All copyrights, performers’ rights, audio rights, voice rights, image rights, phonographic rights, audiovisual rights, and registered trademarks are duly registered and fully in force, in accordance with applicable national and international law.

11. UNAUTHORIZED ACTIONS AND LEGAL CONSEQUENCES
    11.1. Any unjustified silencing, blocking, omission of rights, alteration of audio or audiovisual catalogs, monetization, revenue collection, content identification, or rights management carried out without prior, express, written authorization from the rightsholder, or authorized administrator constitutes an unauthorized action and an infringement of rights.
    11.2. Such actions give rise to legal liability and allow for corrective measures, including the challenge of claims, restitution of improperly received revenues, content release, and the exercise of legal actions under applicable national and international law.

12. COORDINATION WITH PLATFORMS
    12.1. Once the relevant information and documentation have been verified, PREZPOWER AMERICAN INC. will coordinate directly with digital platforms, in accordance with their current internal policies, to release content, correct metadata, regularize ownership, and adjust revenues in full accordance with this General Statement of Ownership and Rights Management.
    12.2. PREZPOWER AMERICAN INC. maintains ongoing communication with digital platforms, applies and understands their operational and rights policies, and relies on those platforms to act once the ownership and scope of rights set forth herein are duly substantiated.

13. INITIAL COMMUNICATIONS AND SUBMISSION OF CLAIMS
    13.1. Any initial communication, claim, assertion of rights, or allegation of ownership related to audio and/or audiovisual content must be accompanied by the following complete, valid, and verifiable documentation:
    a) a full copy of the original contract, duly signed by the artist, expressly, clearly, and unequivocally granting digital and/or audiovisual rights for the commercial exploitation of audio and/or video in the digital environment;
    b) a detailed, complete, updated, and dated sworn statement of audio and audiovisual catalogs currently exploited, publicly communicated, or monetized on digital platforms, indicating works, versions, territories, platforms, start dates, and form of use.
    13.2. Incomplete, outdated, undated, generic catalogs, or catalogs that do not precisely identify works and exploitation modes shall be considered invalid and shall not constitute sufficient evidence of authorization or ownership of rights.
    13.3. The absence of an express digital assignment clause for audio and/or audiovisual exploitation shall, by operation of law, mean that no authorization for such uses exists, and silence, prior use, custom, inherited contracts, or analog mandates shall not be invoked as proof of digital rights transfer.
    13.4. Communications that do not fully comply with the documentary requirements of this section will not be evaluated or processed, and their mere receipt shall not imply recognition, acceptance, validation, or presumption of any rights, claims, or entitlements of any kind.
    13.5. Any unauthorized use, monetization, content identification, or exploitation may be subject to blocking, takedown, demonetization, claim challenges, and legal actions in accordance with applicable national and international law.
    13.6. All formal communications, contractual documentation, or claims must be submitted exclusively to the officially designated legal contact for PREZPOWER AMERICAN INC., in its capacity as administrator and authorized representative. Submissions made through other means or addressed directly to the artist where a valid digital assignment in favor of PREZPOWER AMERICAN INC. exists, shall not be considered valid, without prejudice to any legal remedies available.

14. CONDITIONS OF ADHESION – COMMUNITY MODERATION POLICY
    14.1. By requesting the creation of a Fan Club, the person responsible agrees and undertakes to protect the artist’s good name at all times, promoting a positive, respectful, and constructive space.
    14.2. Freedom of opinion and expression is fully guaranteed, provided it is exercised respectfully.
    14.3. Bad manners, vulgarity, or any form of defamation, libel, slander, or hate speech directed at the artist, his/her family, team, other fans, or third parties shall not be allowed.
    14.4. The Fan Club must maintain active moderation. The person responsible undertakes to block and report fake profiles, anonymous accounts, or accounts without verifiable identity, as well as any accounts or comments that do not contribute positively to the community.
    14.5. This space exists to celebrate, respect, and support the artist, ensuring a safe, positive community free from harmful messages.
    14.6. Failure to comply with these conditions may result in revocation of the Fan Club’s authorization.

15. ALL RIGHTS RESERVED
    15.1. ALL RIGHTS RESERVED.
    PREZPOWER AMERICAN INC.

16. OPPORTUNITIES FOR MEDIA, INTERVIEWERS, AND INFLUENCERS
    16.1. Interviews and Collaborations with Artists Represented by PREZPOWER AMERICAN INC.
    16.1.1. PREZPOWER AMERICAN INC. places high value on the role of journalism, content creators, radio, television, and new digital media.
    16.1.2. Their contribution to culture, musical history, and the dissemination of art is recognized.
    16.1.3. Proposals for interviews, programs, podcasts, and broadcasts are welcomed by professionals who share this constructive approach.
    16.2. Benefits for the Medium or Creator
    16.2.1. Media outlets and channels that host our artists may:
    a) attract a larger audience on the day of broadcast;
    b) obtain sponsors associated with the program;
    c) monetize the interview on their platform;
    d) enhance their reputation and reach;
    e) generate relevant content for their communities.
    16.2.2. PREZPOWER AMERICAN INC. does not charge appearance fees for interviews; the focus is on mutually beneficial partnerships.
    16.3. Benefits for the Artist
    16.3.1. Our artists receive:
    a) exposure to new audiences;
    b) the opportunity to share their work and career;
    c) an audiovisual record for historical archives;
    d) content that can be transformed into cultural and documentary value.
    16.4. Essential Condition
    16.4.1. As part of the collaboration, a complete copy of the recorded material is requested, without usage restrictions, for distribution on the artist’s official channels and PREZPOWER AMERICAN INC.’s channels.
    16.4.2. This avoids unwanted rights-related blocks and enables content reuse for the benefit of the public.
    16.5. Content and Conduct Guidelines
    16.5.1. Out of respect for the artist and the public, the following is requested:
    a) avoid personal attacks, targeted controversies, or confrontational dynamics;
    b) do not address private life, family, or sensitive topics without prior agreement;
    c) maintain a positive, cultural, and respectful approach;
    d) do not expose the artist to aggressive, humiliating, or emotionally coercive situations.
    16.5.2. Each public appearance is considered an extension of the artist’s work.
    16.6. If Conditions Are Not Respected
    16.6.1. PREZPOWER AMERICAN INC. reserves the right to:
    a) interrupt the artist’s participation at any time;
    b) withdraw support for subsequent publication or distribution;
    c) in serious cases, pursue legal action where appropriate, particularly in cases of:
    i. defamation, harassment, or reputational harm;
    ii. improper use of image, voice, or audiovisual material;
    iii. unauthorized broadcast or improper monetization.
    16.6.2. The objective is not confrontation, but the protection of integrity, health, rights, and reputation.
    16.7. Interview Requests
    16.7.1. To initiate the process, please provide:
    a) name of the outlet or producer;
    b) proposed date and time;
    c) format and platform;
    d) general focus of the conversation;
    e) contact person responsible.
    16.7.2. Confirmation is subject to scheduling, relevance, and agreed conditions.
    16.8. PREZPOWER AMERICAN INC. Philosophy
    16.8.1. PREZPOWER AMERICAN INC. believes in:
    a) honest collaboration;
    b) journalistic freedom exercised responsibly;
    c) the value of art and its social role;
    d) respect for the artist as a person;
    e) culture as a bridge, not a weapon of confrontation.
    16.8.2. The goal is for each encounter with the press to be constructive, memorable, and positive for the country, the public, the medium, and the artist.
    16.9. Important Notice on Live or Studio Musical Performances
    16.9.1. Digital platforms (YouTube, Facebook, Instagram, TikTok, and similar) employ automated systems for rights protection, such as Content ID.
    16.9.2. Due to these policies:
    a) any musical performance, including live singing during an interview, may trigger automatic rights claims;
    b) such claims may immediately demonetize the transmission or video.
    16.9.3. This affects equally:
    a) the medium or content creator;
    b) interviewers;
    c) artists represented by PREZPOWER AMERICAN INC.
    16.9.4. For this reason:
    a) complete or partial performances of repertoire during interviews on digital platforms are not authorized, unless previously agreed upon in specific arrangements.
    16.9.5. It is recommended that interviews focus on:
    a) conversation, anecdotes, and career highlights;
    b) stories behind the songs;
    c) stage experiences;
    d) values, lessons learned, and artistic life.
    16.9.6. In this way:
    a) the creator or medium can maintain monetization;
    b) the artist preserves his/her rights;
    c) the public enjoys unique and valuable content.
    16.9.7. PREZPOWER AMERICAN INC. may coordinate exceptions where a prior agreement exists with the medium and the relevant rightsholders.

17. RADIO PROGRAMS FOR COMPANIES AND PARTNER MEDIA
    17.1. General Proposal
    17.1.1. PREZPOWER AMERICAN INC. views radio as a unique bridge between culture, community, identity, and emotion.
    17.1.2. Exclusive radio programs are offered for media outlets and companies interested in sharing music, stories, and values of represented artists.
    17.2. Program Content
    17.2.1. Interested radio stations, platforms, or broadcasters may acquire a monthly license allowing them to air content produced by PREZPOWER AMERICAN INC., including:
    a) themed music programs;
    b) special programs tied to cultural dates;
    c) short segments or micro-programs;
    d) presentations of historical repertoire;
    e) editorial content aligned with the artist’s legacy and message.
    17.3. Available Broadcast Plans
    17.3.1. Plan for 4 monthly programs (1 program of 2 hours per week).
    17.3.2. Plan for 8 monthly programs (2 programs of 2 hours per week).
    17.3.3. Each program includes authorized music, curated scripts, and content ready for broadcast.
    17.4. Benefits for the Radio or Company
    17.4.1. The broadcaster obtains:
    a) the right to broadcast within the agreed scope;
    b) legal, authorized content featuring real artists;
    c) the ability to attract new and loyal audiences for Paraguayan music;
    d) the opportunity to secure its own advertisers and sponsors;
    e) increased cultural relevance and prestige;
    f) reduced internal production costs;
    g) direct engagement with its audience.
    17.4.2. The broadcaster retains 100% of advertising and sponsor revenue generated during the program.
    17.5. Model Rationale
    17.5.1. The content:
    a) connects with emotional memory;
    b) provides culture and genuine emotion;
    c) features recognized, active artists;
    d) builds community and a sense of belonging;
    e) is a product that can be readily offered to local businesses.
    17.5.2. Brands are attracted to:
    a) tradition;
    b) values;
    c) cultural identity;
    d) musical history.
    17.6. Commitments and Conditions
    17.6.1. The broadcaster:
    a) undertakes to respect the content as delivered;
    b) informs PREZPOWER AMERICAN INC. of broadcast dates and times;
    c) may add its own commercial advertising and mentions.
    17.6.2. PREZPOWER AMERICAN INC.:
    a) delivers ready-to-air content;
    b) retains authors’ and phonographic rights;
    c) may provide promotional support via social networks.
    17.7. Licensing Contact
    17.7.1. Interested broadcasters and business owners may request details, pricing, and trial plans by writing to:
    PREZPOWER AMERICAN INC. – Content and Licensing Division.
    17.8. Vision
    17.8.1. These partnerships multiply:
    a) culture;
    b) business opportunities;
    c) visibility;
    d) heritage;
    e) audience.
    17.8.2. They help sustain the Paraguayan musical legacy during the artist’s lifetime.

18. RIGHTS MANAGEMENT IN MEDIA – INTERNATIONAL MODEL
    18.1. Copyright (lyrics and music) and performers or executants’ rights (voice and musical performance) are governed worldwide by official entities in each country.
    18.2. In general terms:
    a) any radio station, TV channel, or platform broadcasting music must maintain valid licenses for authors’ rights and performers’ rights issued by the relevant entities in its territory;
    b) this responsibility lies with the broadcasting medium, not with the artist or the content producer;
    c) names and acronyms vary by territory, but the legal principle is the same worldwide.

19. RESPONSIBLE ENTITIES IN PARAGUAY
    19.1. For broadcasts within Paraguayan territory, the responsible entities include:
    a) APA – Autores Paraguayos Asociados (authors’ rights in lyrics and music);
    b) AIE Paraguay – Artistas Intérpretes y Ejecutantes del Paraguay (performers and musicians’ rights).
    19.2. Radio stations and media outlets are responsible for managing and maintaining these licenses.
    19.3. PREZPOWER AMERICAN INC. produces authorized content and administers digital audio and audiovisual rights for represented artists.

20. SIGNATURE
    20.1. These General Legal Notice and Statement of Ownership, Rights Management, and Community Policies are issued by:
    PREZPOWER AMERICAN INC

21. COPYRIGHT AND USE OF THIS LEGAL TEXT
    21.1. This Legal Notice and all its sections, structure, and wording constitute an original literary and legal work protected by copyright and related rights.
    21.2. Any total or partial reproduction, copying, translation, adaptation, modification, or distribution of this text, in any format or platform, is strictly prohibited without prior, express, written authorization from PREZPOWER AMERICAN INC.
    21.3. Limited quotation for informational or academic purposes is allowed only if it:
    a) is clearly identified as a quotation,
    b) does not alter the original meaning, and
    c) includes an express reference to PREZPOWER AMERICAN INC. as the source.
    21.4. Any unauthorized use of this text may give rise to civil and, where applicable, criminal liability under the laws in force in the relevant jurisdiction.
    21.5. All rights not expressly granted are strictly reserved.

© 2026 PREZPOWER AMERICAN INC.
All rights reserved